DC Industry Training Days

Get ready for the biggest event of the Documentary Campus calendar on 31 October and 1 November. On Day 1 join us at our flagship pitching event, where the Masterschool 2025 cohort will present their standout projects to leading international decision-makers. This year we present 15 Masterschool projects and 3 Masterschool alumni projects from 10 countries with themes ranging from healing and war trauma, environment, migration and inequality, science, art and music to pioneering sports, health and popular culture, as well as fascinating stories on family history, radicalism and crime, but also love and friendship.
Plus new this year we present a dynamic series of unmissable talks and sessions designed to spark ideas, connections and fresh perspectives. On Day Two, we spotlight the digital transformation of non-fiction. Curated by Justin Crosby from the UK’s TellyCast Digital Content Forum, this special one-day conference brings together trailblazing creators, content funders and platforms to explore what it really takes to thrive in the digital-first space. Expect insightful keynotes, expert panels and practical sessions designed to equip you for success in this rapidly evolving sector.
The full programme is available upon registration.
Programme
Registration
Join us for a morning coffee, collect your badge and get into good vibes with DJ Felix Klein
Welcome and Introduction
Official Welcome to the Industry Training Days and introduction to the pitching day.
Pitch Block 1
Five projects of Documentary Campus Masterschool 2025 will pitch for the first time to an international audience of key industry experts. One alumni project will also be presented. The projects pitching are:
KAMNOP: A Treasure is Waiting for You, Director Guillermo Roqués, Co-director & Producer Kanitha Heng Snow (Spain)
Mai & Miles, the jazziest story about physics ever told, Director Lea Hejn (Denmark)
After the Wall, Director Claudia Euen, Producer Bianca Laschalt (Germany)
Bodies in Control, Director Lisbeth Schröder, Producer Matthias Zuber (Germany)
Time Suspended, Director Lorenzo Spinelli (Italy)
Alumni project: The Elements of Life, Directors Kerstin Hoppenhaus and Sibylle Grunze, Producer Valentin Thurn (Germany)
Lunch Break
Grab some food and network!
Pitch Block 2
Five projects of Documentary Campus Masterschool 2025 will pitch for the first time to an international audience of key industry experts. The second alumni project will be presented. The projects pitching are:
Toni, Director Martin Kießling (Germany)
Wind Chasers - The Untold Origins of Kitesurfing, Director Agnieszka Mazur, Producer Judith Millecker (Germany)
All F*cked Up, Director Ganna Iaroscheych, Producers Kateryna Ptashka & Alexandra Bratyschenko (Ukraine)
Alumni project - Measuring the Sky, Director Petar Orešković, Producer Siniša Juričić (Croatia)
Glowing in the dark again - The Minimal Synth revolution, Director Pietro Anton (Germany)
Out of Bounds - no fear, no limits, Producer Marjorie Meyer (Germany)
16:00-16:30
Time to grab a cup of coffee and network.
Pitch Block 3
Five projects of Documentary Campus Masterschool 2025 will pitch for the first time to an international audience of key industry experts. The third alumni project will be presented. The projects pitching are:
The Potato Heads, Director Alison Millar, Producers Jackie Doyle & Callum Roberts (Ireland)
Beautiful Death, Director Andris Gauja, Producer Elza Gauja (Latvia)
Echoes of the Gap, Director Harry Tatem (UK)
Alumni project: ABC: One Letter at a Time, Director Mayye Zayyed, Producer Anke Petersen (Germany)
Daughter of Two Chinas, Director Weina Li (China/Germany)
The Journey of Man: A Father`s Love, Director Alessandro Belleli, Producer Åsne Høgetveit (Norway)
Pitch Awards
Documentary Campus partner festivals present awards to the best pitches.
ARTE Reception
We are pleased to invite you to the ARTE Reception in the downstairs foyer of Händel Halle.
Registration
We open for Day 2 of Industry Training Days.
One-to-One meetings
Meetings of Masterschool project teams and industry experts.
Welcome to NEXTWAVE: The Digital-First Production Summit
Welcome by curator Justin Crosby, TellyCast Digital Content Forum
Research presentation on audience trends
Presentation of factual audience trends.
Speaker:tbc
Factual 2.0: Producers on the Digital-First Frontline
Producers at the cutting edge of social video and digital-first storytelling share how they’re reinventing factual formats for new audiences and platforms. This session explores the creative opportunities and commercial realities of making factual content native to YouTube.
Speakers: Olivier Levard, Full Joy Media (France); Serena Jones, The B1M (UK), Catherine Harwardt, Drive Beta (Germany)
Why I Ditched the TV Industry to Become a Creator
Rory Griffin switched from p/ding science docs for Discovery to creating a niche YouTube channel about exploring the Universe with an amateur telescope. This session explores the bumpy journey to becoming a full time creator.
Speaker: Rory Griffin aka Astrobiscuit (UK)
From Indie Producer to YouTube Publisher: Woodcut’s Digital Leap
Woodcut Media CEO Kate Beal lifts the lid on her company’s bold pivot into the YouTube economy. In this candid fireside chat, she shares the highs, lows, data obsessions and creative reinventions that have come with launching three new channels from scratch. Expect hard-earned lessons, real numbers and an honest take on what it takes for an indie to thrive in the digital-first era.
Speaker: Kate Beal, Woodcut Media (UK)
Fast Forward: Transforming Channel 4 into a digital-first public service streamer
Channel 4 is reimagining what it means to be a public service broadcaster in the age of YouTube, TikTok and on-demand streaming. This session unpacks the broadcaster’s digital-first strategy, exploring how it is reshaping commissioning, building new audiences, and balancing commercial growth with public service values.
Speaker: Charlie Hyland, Digital Commissioner, Channel 4 (UK)
How to launch and build a successful factual channel on YouTube
YouTube has become a vital space for factual storytelling, offering producers the chance to reach global audiences and generate sustainable revenue. In this expert session, YouTube strategist Rob Wilson reveals the essentials of launching and scaling a factual channel, from mastering algorithms and audience growth to unlocking multiple monetisation opportunities. Packed with practical advice, this session is a roadmap for indies and producers ready to make YouTube central to their business.
Speaker: Rob Wilson, VidIQ (UK)
The New Age of Brand-Funded Content
Forget the old rules of advertising - brands aren’t just sponsors anymore, they’re commissioners, collaborators, and sometimes even broadcasters. This session dives into the realities of brand-funded content, asking how far producers can push creativity, protect editorial integrity, and still deliver the results brands demand.
Speakers: Melissa Chapman, Jungle Creations (UK); Bart Frank, Objekt (UK); Charlie Read, Upstream UK
The New Documentary Landscape
Documentary is being reshaped by digital platforms, shifting audience habits and new funding models. This session explores how producers are adapting to the changing marketplace, from social-first storytelling and global distribution to innovative partnerships that are redefining what documentary can be and how it's funded.
Speakers: Gerrit Kemming, Quintus Studios (Germany); Ben Zand, Zandland (UK); Janine Thomas, Channel 4 (UK)
Moderator: Adam Gee, Head of DC Masterschool
Case Study - The B1M
Speaker: Serena Jones, The B1M (UK)
Making Your Archive Pay: Monetising Catalogue Content on YouTube
YouTube is now a proven marketplace for catalogue content, giving producers the chance to breathe new life into their archives. In this session, leaders in YouTube catalogue monetisation share insights on rights strategies, packaging, optimisation and revenue models that can turn back catalogues into long-term digital assets - and reboot long forgotten content.
Speakers: Graham Haigh, ITV Studios (UK); Nils Franck, Little Dot Studios Germany; Kate Beal, Woodcut Media (UK)
Fees
Accreditation gives access to the pitches and the Industry programme as well as all films and events of the SILBERSALZ Science & Media Festival and includes lunch on both days.
Early bird: 190 EUR - until 23 September
Full price: 280 EUR
Reduced price
- Eastern European producers and DC Alumni: 190 EUR
- Delegations and Students: 90 EUR